The Responsive Eye was an exhibition of optical art held at the Museum of Modern Art in New York from February to April 1965. Some of the artists represented included Josef Albers, Bridget Riley, Frank Stella, Victor Vasarely and the French collective Groupe de Recherche d'Art Visuele.
Curator William C. Seitz said "unlike most previous abstract painting, these works exist less as objects to be examined than of generators of perceptual response, of colours and relationships existing solely in vision; of forms, presences and variations often entirely different from the static stimuli by the artist'.
The first night audience, captured in a short film (one of the cameraman was Brian de Palma), is clearly drawn from the upper echelons of Manhattan society (the men are wearing black tie; the women evening gloves), and seem largely indifferent, being far more interested in themselves and each other.
Some medical professionals are on hand to talk about the physiological effects the pictures and objects might be having on the viewer, and the curators and the artists work hard, talking about concavity and convexity, transience and translucence, perhaps trying to ensure people understand that this is ART, not a set of fairground mirrors.
David Hockney says that he detests some of the work because it 'makes my eyes blink', a statement he thinks very clever indeed, but then he's always been an obnoxious little prick.
“A statement he thinks very clever indeed, but then he's always been an obnoxious little prick.” How right you are. Award yourself a 2025 facsimile of a Wagon Wheel.
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