Sunday, 13 September 2015

FRANKENSTEIN UNHINGED







































Frankenstein Meets The Space Monster, d. Robert Gaffney (1965)

What sort of film is Frankenstein Meets The Space Monster? Well, it's terrible.

But who cares about all that Andre Bazin stuff, anyway? It has big eared aliens and girls in bikinis, what more do you want: plot, point, performances, a budget, mise en scene?

Friday, 11 September 2015

IT SEEMS LIKE A DREAM

















The Erotic Rites Of Frankenstein, d. Jesus Franco (1973)

What sort of film is The Erotic Rites of Frankenstein? Well, it's the sort of film that starts with a shot of a human brain in a jar, although the brain is far too small to be human. As Doctor Frankenstein is apparently going to insert it into his fully conscious monster's head by drilling a hole just above his ear, however, it doesn't actually matter - the smaller the better, really. Yes, it's that sort of film, the sort of film where the brain doesn't go in the top.

It's the sort of film that has an insane, cackling, blind, beautiful parrot vampire woman, who is always naked.

It's the sort of film that contains dialogue like:

'I've heard of the work of Vera Frankenstein, of course, but it never occurred to me that she might be Doctor Frankenstein's daughter...'  and 'My triumph is intoxicating!'

It's the sort of film that has a scene where a naked man and woman are whipped by a silver monster as they stand tied together on a platform carpeted by poisoned spikes. 

It's the sort of film where a reanimated corpse tries to strangle a man to death, but is stopped in his tracks by having a bucket of sulphuric acid thrown over him. Despite the fact that he is gripping the man tightly, the acid is thrown so accurately that it removes the corpses head entirely and also neatly severs its dead strangling hands at the wrists - without a drop of acid getting onto his victim.

It's the sort of film where a magician needs Frankenstein's monster to impregnate a hybrid woman made from murder victims in order to improve the bloodline of a new race of skeletoid zombie people he has just made.

Finally, it's the sort of film that has no beginning or ending, like a dream. Haphazardly filmed in some genuinely amazing locations, it alternates scenes of overwrought sex fantasy horror with deadly dull scenes of middle aged men walking around in the dark for minutes at a time. It's beautiful, it's boring; it's amazing, it's appalling.

What's it like? It's like a Jesus Franco film.   

Friday, 4 September 2015

UNEASEFUL DEATH

















Soylent Green, d. Richard Fleischer (1973)

In the horrendously polluted and dangerously over-populated world of Soylent Green, the greatest thing a citizen can do for the state is to die. Those who volunteer for death are shown consideration, even kindness, often for the first time in their miserable lives, and, as they absorb a fatal cocktail of drugs, they are shown archive footage of a green, fertile Earth to the stirring accompaniment of 'Morning' from Grieg's 'Peer Gynt'.

The older Sol (one of my heroes, Edward G. Robinson) takes no comfort from the footage, which simply reminds him all that has been lost since his youth, and why death is preferable to life in 2022 AD, regardless of what he knows will happen to his body as soon as his last breath leaves it. 

Monday, 31 August 2015

IDOLITIS



Vis Idoli were one of Yugoslavia's best new wave bands. This short, defiant blast of pop punk is greatly enhanced by cheap organ, cheesegrater guitar and the bass player's moustache. Once you've watched Plastika, stay tuned, as Youtube will automatically show you more of their varied and very jolly oeuvre.

MEANWHILE, BACK IN THE REAL WORLD...





































Saturday, 22 August 2015

THE PRESENCE OF PLEASENCE















Up until a few years ago, hardly anyone had seen Wake In Fright since its initial release in 1971. It's a genuine rarity: a great, lost film that is actually great, rather than just lost. Donald Pleasence plays 'Doc' Tydon, a sinister drunk who dabbles in medicine and fucks anything that moves. Or doesn't move. He's too far gone to be picky. It's a great, skin crawling performance in a film that is uniquely and horribly oppressive.