Monday, 2 February 2026

CONCLAVE OF LIGHT


























































There are many reasons to join a Cult. Perhaps you are lonely, troubled, damaged or uncertain about your place in the world. You may be looking for answers, for something that makes sense and gives your life direction. The Cult will provide a home, a place, a purpose, a meaning; you will belong to something that also belongs to you. Cults offer belief, and trade in faith. By joining the Cult, you become special, one of the chosen. You have always been special, but only the Cult understands this: the Cult gets you, the Cult values you, the Cult thinks you are cool.

Even the most dysfunctional misfit can find a place within a cult, sometimes even a place at the high table, at the right hand of the dysfunctional misfits who call the shots. Cults make sense: they are a very human response to a very human problem. The world is overwhelming and full of stuff, much of it contradictory. A cult shrinks the world, and limits the flow of information. It makes things easier for you to process. It makes uncertain things certain, irrevocable, sacrosanct – sacred. It provides rules, writes law, distributes rewards and administers punishments. It tells you how to spend your money, when (and what) to eat, when to sleep and who with, and, sometimes, when to die.

A mature cult either has plans to dominate the world, or to utterly retreat from it. The rest of the world is wrong and so you must either change it or shun it. You live in a bubble of belief, a closed system. All outside is a threat to your ecology. All outside is an enemy. You are always ready to fight. Perhaps your Cult is thinking about attack rather than defence, plotting to take the fight to the world before it starts in on you. You may be stockpiling guns, or bombs or poison. You are setting the timetable for a DIY apocalypse. You may be personally unsure about this, but it’s too late now – this is your Cult, and so it's your apocalypse.

Or, conversely, perhaps your cult is thinking about dressing up in colourful costumes and universal harmony. If this is the case, congratulations, you’ve joined the most benign and non-aggressive cult in the history of all universes, the Unarius Academy of Science!

Unarius is an extraordinary thing: a long-standing cult that has never brainwashed, defrauded, abused, raped, murdered or martyred its adherents. It is a movement that engenders an intense spiritual connection in its members but seemingly has no interest in exploiting that. Not only are its people free to come and go as they please but they are also welcome to challenge the central precepts of their belief system. Over its near 70 year history it has vociferously resisted attempts to classify it as a religion, and for many years has operated as a non-profit (tax exempt) educational foundation.

Founded in 1954 by Ernest and Ruth Norman, a married couple who scratched a living from Ernest’s ability as a psychic, Unarius (which stands for Universal Articulate Interdimensional Understanding of Science) was initially a vague amalgam of metaphysics, cosmology and pulp science fiction. Ernest ‘channelled’ the voices of entities from other worlds and other eras to piece together a constantly expanding philosophy and history of the universe, and this was documented in a never ending stream of books and, later, cassettes and VHS tapes. 

According to Ernest, Earth is a backwater of the universe, and more advanced civilisations on other planets view us with suspicion, even fear. If we listen to the Space Brothers, however, we can become sufficiently evolved to take our place alongside them, and thereafter live happy, fulfilled lives free from want or war. In a parallel to the much more aggressive cult of S*********y, Unarius believes that humans have been traumatised by past lives, and are usually working off some form of karmic deficit. The central pillar of Unarius’ teachings is that individuals are energy, and this energy contains the key to not only their past and future lives, but to every life there has ever been. By tuning into the right frequency, individuals can be physically and psychically healed and, ultimately, become part of the collective higher consciousness of the universe. Unlike Scientology, this process does not Unarians cost hundreds of thousands of dollars and require total isolation from friends and family. Indeed, much of it can be done at home, or at weekends: unlike other cults, Unarius is happy for its members to have lives away from the group. It is a part time undertaking, and gain is not accompanied by pain.

Unarius has always been a fairly modest cult, attracting neither thousands of followers or intense zealotry. After Ernest’s death in the early 1970s, his wife Ruth became the figurehead and brought flamboyance, pageantry and entertainment to the organisation, as well as expanding on their core beliefs in a colourful, imaginative and attention grabbing way. Under Ruth’s leadership, Unarius became fun. Members dressed up as aliens and held parades; they drove around in cars with flying saucers on the roof, and made a number of feature length films with charming production values and special effects (and, it must be said, some reprehensible examples of casual and institutional racism – one of the few criticisms that can be specifically levelled against the group). This was the zenith of the movement in terms of membership and profile, and interest was maintained by TV appearances, scores of books and publications and Ruth’s ardent promises of an imminent alien space fleet landing (the landing was anticipated for almost twenty years and, at the time of writing, is still imminent). 

Ruth Norman died in 1993 after several years of incapacity, and Unarius has never been quite the same since. Without her larger than life persona and lack of inhibition, Unarius has receded from the world stage and gone back to the fundamentals. They are back now to how they were at the beginning: a small, niche interest metaphysical group with a bunch of wacky beliefs that have no evidence behind them other than the word of a (now long-dead) psychic. 

The Understanding of Science part of the Unarius acronym has always been key to the group: it is how they promote themselves, and how they wish to be perceived. Both Ernest and Ruth baulked at the idea that were a cult, or a religion, or even a ‘belief group’: this was fact, truth, science. Despite their passion and sincerity, however, Unarius is not science, neither is it easy to understand. They do prevail, though, and have done for almost seven decades, although they would no doubt feel that was a mere bagatelle in the bottomless well of cosmic time. I hope they keep on indefinitely, until they are eventually proven absolutely right or completely wrong – something that may take centuries, of course. 

And that’s perfectly okay. It’s not like they are hurting anyone. 

More Unarius content to follow, perhaps too much - maybe not enough.

Monday, 26 January 2026

MEET THE MONSTERS


 




















There are many undeniably great sequences in cinema. The continuous take from the beginning of Touch Of Evil, for example, or the pillow fight in Zero De Conduit, even the opening sequence of Up.  These all fall short, however, in the face of a minute in the short Japanese film Kamen Rider Vs Ambassador Hell (1972) in which TEN men in rubber suits  fearsome monsters suddenly appear on a snowy mountain top and introduce themselves one by one before launching into a battle with our motorcycle riding hero and his secret agent sidekick. 

Despite their bravado and obvious enthusiasm for a fight, the monsters get their scaly posteriors kicked in a disappointingly brief period of time. It's a shame, as I was really rooting for them, particularly Mushroom Morgue.

Additional: what would have been the ultimate smack down if Zanjioh and his pals could actually do more than posture and shout...













They'll be back, and they won't have learned a thing.

Thursday, 22 January 2026

SCENIC

























Series 4, d. Norman Gregoire (1972)

The National Film Board of Canada website describes this short film as something that 'documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment'. Not sure why everyone in it has to be naked, but there are some nifty visual effects and some early computer graphics, so I'm happy just to go with the flow for seven minutes.

Monday, 19 January 2026

ROUGH SEA @

 

Rough Sea @ Hoylake, Merseyside

I'm simultaneously impressed and creeped out by the man in the long coat defiantly facing the elements. He probably caught cold and died, people did that a lot more then, it was considered character building.

Friday, 16 January 2026

BOOM TIME

 
















The underwater atomic test at the Bikini Atoll in July 1946 was captured for research purposes by five hundred cameras stationed on unmanned planes, high-altitude aircraft, boats, and from more distant points on land around the Atoll, the island group forming an almost complete ellipse, a natural stage for this most terrible show of man's destructive power. The mushroom cloud is perhaps the single most iconic symbol of the 20th century: both synthetic and organic, horrifying and enthralling, a seething mass of ever-changing death.

We still have these bombs like this, of course, more than ever, in fact, but we now think about them in the same way we think about sharks, or fire, or falling off a cliff: a primal but somehow distant fear. Besides, being instantly vaporised is the least of our worries these days, we all know it won't be anything like as easy as that.

Tuesday, 13 January 2026

WE'VE ALL DONE IT























Choreography For Copy Machine AKA Photocopy Cha Cha Cha, d. Chel White (USA, 1991)

Relentless and brilliantly animated, like a jollier version of the unforgettable and disquieting title sequence of The Tomorrow People.

Friday, 9 January 2026

PENNED INSIDE

 

Police Lieutenant Jim Corrigan finds himself in trouble in The Spectre #6 (DC Comics, 1968). You must know it, it's the issue in which he and his supernatural lodger The Spectre battle against a horde of reanimated devil worshipping Pilgrim Fathers. More on The Spectre soon.

Tuesday, 6 January 2026

MEANWHILE, IN LYNCHLAND...






















Absurd Encounter With Fear, d. David Lynch (USA, 1967)

David Lynch's enigmatic debut film is a mere two minutes long, but manages to be packed with his characteristic mix of horror, humour and unknowable oddness. In it, a blue faced man lumbers across a meadow towards a frightened looking girl. Drawing close to her, he fiddles with his fly and pulls out handfuls of dandelions. The girl is oblivious to what he is doing. When he is finished, he turns to gaze directly at the viewer, and he then collapses, presumably dead. 

Lynch died on the 16th of January last year. This world is lousy without him.

Saturday, 3 January 2026

DANCE AWAY

 














Hepcats get hip in The Horror Of Party Beach (1964), a genuinely terrible film made all the worse by having some quite good elements, not least some of the music and the editing, which is excellent. 

In it, a radioactive waste spill on the ocean floor turns the skeletons of long dead sailors into rubbery looking monsters with big googly eyes and a grudge against teenagers. As there are hundreds of them constantly frugging on the beach, the monsters assume someone has laid on a buffet and proceed to kill as many as they can. Only sodium can stop them, and lots of it. It's quite gory, really, but the monsters are made unscary by looking exactly like our old mate the Soup Dragon from The Clangers.

Anyway, there's a lot of dancing (see above).