YOU'RE FADING IN AND OUT IV

Threshold Of The Void, d. Jean-Francois Davy (1972)

Young artist Wanda Leibovitz (Dominique Erlanger) travels from Strasbourg to Paris to escape an unhappy love affair, and moves into a large but antiquated room in an old apartment. Within the room is a locked door, and beyond the door is The Void - a formless, soundless, limitless black space which she is initially wary of, but eventually becomes addicted to. She finds that she paints better when working in the hallucinatory darkness of The Void, and although she becomes successful, things begin to fray within her. 

All Voids are inherently sinister, even the metaphorical ones, and they often want things: things to fill them, things that will stave off heartache and loneliness and existential dread, something to counter the depthless darkness. And this Void? This Void wants Wanda.